The Veil

Sep. 21st, 2021 11:55 pm
kimberlysteele: (Default)
[personal profile] kimberlysteele

My first experiences of the occult involved the Thoth tarot deck. I was sixteen and recently heartbroken after my first boyfriend dumped me. We lasted three months. I bought the Tarot deck with the intention of pestering it about the future -- of course my desired outcome was for my boyfriend and I to get back together. We never did get back together, but I did begin my first spill down the Path because of those cards.

When I used to gaze at the Priestess, its symbols remained a mystery. I had the blurbs of text in the white book memorized as well as significant chunks of the Book of Thoth. I read cards by repeating those bits of information. For some odd reason, people liked the readings well enough and I became somewhat known for it among my family and friends. Thirty years later, I began to understand a small part of the symbolism of the cards because of discursive meditation.

On the Tree of Life, Gimel is the path from the Father (Kether) to the Son (Tipareth). Crowley, like a few other Golden Dawnies, was an Icarus whose wings melted when he got too close to the Sun. The Priestess provides the veil to shield the eyes from the light of the Father. She is the Virgin Mary, Isis, and Artemis. She is the Divine Feminine as a connection to the Father. Without her hazy, nurturing influence, the forces of Father and Son would burn everything between them with their power.

She is the idea of home: gentle, nurturing, and compassionate. The one who makes a home makes it possible to digest the influences of the Father. The feminine is the way towards the father. She creates the necessary polarity to return to him, much like electricity needing positive and negative ions to move.

Christianity and Islam have a problem with disrespecting the divine feminine. Protestant Christianity diminishes Mary to a side player, shunting any veneration for her to a couple of holidays. Islam perverts the veil, turning it into a hijab and a burqa. The result is naked hatred of women and girls and another diminution of the feminine and nature itself. The discounting of the feminine is not surprising -- the unigod religions were a natural outgrowth of animal herding and its child, capitalism. Capitalism commodifies spiritual ideals: for instance, the transformation of the idea of home into a red and white labeled can of soup, or the winter folk song rehashed as an annoying Christmas ad jingle. Obsessive marketing and relentless kitsch makes homemaking easier to dismiss as an art.

Homemaking is the art of etheric balance. The etheric represents the ebb and flow of energy one level more subtle than smell. It can and will be affected by aesthetics and human emotion and perception. The etheric is the veil between the astral and the physical. To understand how a certain smell or bit of music can trigger an emotional rush is to grasp the idea of the etheric. The goal of homemaking is generally to stabilize the etheric into harmonious patterns that provide protection via the diffusion/mitigation of outside forces. As the Druid prayer goes, "In protection, strength". The creation of a home, whether it's a grand Taj Mahal or the tin pan on Johnny Appleseed's head, is essential for the process of evolution to take place. Without feminine balance, there is no connection to the father. The aesthetic is important because it influences perception, and to perceive balance is to imitate it.

Oooooohhh

Date: 2021-09-22 11:21 am (UTC)
randomactsofkarmasc: (Default)
From: [personal profile] randomactsofkarmasc
I love this! Preview of your upcoming book?

Re: Oooooohhh

Date: 2021-09-23 06:19 pm (UTC)
From: (Anonymous)
I am really looking forward to your book.

Date: 2021-09-23 03:15 pm (UTC)
causticus: trees (Default)
From: [personal profile] causticus
This is ultimately why the mono-cults, and all mono-ideology outgrowths of those, are destined for the trash heap of history. Any belief system that's so unbalanced (one would think that at least getting the gender polarity right is a no-brainer) cannot last indefinitely.

Date: 2021-09-23 08:17 pm (UTC)
From: [personal profile] violetcabra
If I may be so bold:

Judaism has several female personifications of the divine. Probably the most important in terms of contemporary religious practice is the Shekhina, the "dwelling" of Ha-Shem in the world. For instance, the Shekhina is present whenever there's a minyan, or over 10 Jews, at a service of worship.

Gershom Scholem discusses the Shekhina at length in his book on the origins of the Cabala, and she's certainly a divinity that observant Jews talk about in conversation. As I understand it from a conversation a few years back with a Rabbi, the Shekhina also relates directly to Chassidic mysticism, although I'm a bit obscure on the precise details. Point being, some of the manifestations of the divine in Judaism are explicitly female.

Date: 2021-09-23 08:50 pm (UTC)
causticus: trees (Default)
From: [personal profile] causticus
I agree that Judaism is certainly way more nuanced than its two main Abrahamic offspring religions.

I also believe the "god" of Judaism is a jumble of older pagan deities who were **nominally** homogenized into a single generic mono-god. Reading through the OT this become quite apparent. The wrathful jerk version of Yahweh seems to be a composite of Saturn, Vulcan, and Mars. In other sections we get a Jovian-Solar type god. The older god El (the Canaanite Enlil) is reminiscent of the agricultural father God that featured in the mythologies of so many Taurus-age pantheons. And of course, as you mention, there is Shekhina occulted (barely) all over thew Jewish tradition.

Date: 2021-09-24 03:18 am (UTC)
From: [personal profile] violetcabra
If I'd been raised Jewish I'd probably be ultra-Orthodox right about now, wearing a black suit and a black hat and preparing for this week's Shabbat!

Date: 2021-09-24 03:16 am (UTC)
From: [personal profile] violetcabra
Many thanks for sharing your research on this! I did not know that, but it fits. It is fascinating given what Scholem wrote in his book on the origins of the Cabala --- he draws a similarity between the Shekhina and Sandalphon, an archangel of Malkuth, the earthly Sphere. The other archangel of Malkuth is, you guessed it, Metatron. Jews consider Metatron also the archangel of Kether, the highest Sphere. Cabalistic Jews consider Kether the "Lesser Tetragrammaton," according to Greer's in his _Paths of Wisdom_.

Date: 2021-09-23 08:34 pm (UTC)
causticus: trees (Default)
From: [personal profile] causticus
I believe all three gods of the trinity are male. Eliphas Levi suspects as much in his Doctrine of High Magic. Using Interpretatio Graecia, I would personally envision the Christian trinity as a Zeus/Apollo/Dionysus triad. There you have the Father (Zeus), the Son/Sun (Apollo), and the frenzied Holy Spirit of intoxicating rapture (Dionysus). It's almost like the Romans took the older Serapis cult (which their Ptolemaic forebearers created as state religion for their Egyptian subjects), changed the name plates on the office doors, and ported over much of the symbolism and ritualism into their new Christian state religion. In other words, they kept most of the old office furniture.

Levi also postulates that there's indeed an unstated female counterpart trinity. Many have suspected that the Virgin Mary is simply Isis with the old serial numbers filed off. Plutarch equated Isis with Athena, whom the Gnostics re-branded as Sophia (Wisdom). And of course left in this Dawn triad is Venus/Aphrodite. So we have a triad consisting of the Wise Mother, the Virgin Protectress, and the Goddess of Love. Finally, when we fasten together the masculine and feminine triads and you get the Hexagram figure.

Christianity would have surely been much more interesting if it followed an integral/balanced scheme along these lines.

On Islam, this is quite a curious case. The Muslim holy day is Friday, which is of course the day of Venus/Aphrodite. In the pre-Islamic Arabian pagan religion, supposedly their version of Venus was one of the most important deities. Some of these old habits surely carried over into Islam, though in a very bizarre and repressed form. A "psychoanalysis" of Islam would be quite an interesting undertaking for an adventurous and brave soul to undertake.

Historic Objects

Date: 2021-09-26 12:30 am (UTC)
From: (Anonymous)
Hi Kimberly, I followed you over from Ecosophia. I've always enjoyed your commentary on Ecosophia and I really enjoy your blog. I'm slowly dipping my toes into the occult waters. (I'm wary due to a family member attempting to put a curse on somebody 20 years ago. The family member's life has been a flaming disaster -sometimes literally- since. So I believe in occult ideas but I also realize it's not a game.) I have an artifact that may have occult significance due to some symbols carved into it. It relates to the divine feminine. I wondered if there is a way to send you some photos and get your opinion. Thank you -Trent

Date: 2021-09-29 11:10 pm (UTC)
From: (Anonymous)
If you look at that " religious artifact " ( I'm sorry, I don't know what it's called ) that is embedded in the Kaaba, you can see how it resembles a clitoris. Maybe the desert demon doesn't like competition, thus the female castrations.
Colleen

Date: 2022-01-29 10:51 am (UTC)
From: (Anonymous)
Hi Kimberly,

I just reread this-- thanks for the link from your latest post on the veil.

What really struck me:
"Homemaking is the art of etheric balance. The etheric represents the ebb and flow of energy one level more subtle than smell. It can and will be affected by aesthetics and human emotion and perception. The etheric is the veil between the astral and the physical. To understand how a certain smell or bit of music can trigger an emotional rush is to grasp the idea of the etheric. The goal of homemaking is generally to stabilize the etheric into harmonious patterns that provide protection via the diffusion/mitigation of outside forces. As the Druid prayer goes, "In protection, strength". The creation of a home, whether it's a grand Taj Mahal or the tin pan on Johnny Appleseed's head, is essential for the process of evolution to take place. Without feminine balance, there is no connection to the father. The aesthetic is important because it influences perception, and to perceive balance is to imitate it."

This is simply, brilliantly true. Thank you for saying it so well.

Cetiosaurus

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