"Envy, if surrounded on all sides by the brightness of another's prosperity, like the scorpion contained within a circle of fire, will sting itself to death."
-Charles Caleb Colton
Of all the Deadly Sins, I think it can be safely argued that Envy is the most suicidal. It isn't possible to be happy when you strive to possess what others possess, because envy ensures that they will always seem better off than you, whether it is true or not. Envy makes for interesting characters: Medea, Othello, Scarlett O'Hara; interesting and also doomed.
Our culture is beset by envy: how better to drive masses of people to hyperconsume stuff they don't need? Advertising depends upon our envious natures to get us to bite. Envy is rooted deep in the subconscious, whispering in our ears that we are inferior and ugly, but if we had what she has, we could get a leg up once and for all...
Celebrities
There used to be a television series called Lifestyles of the Rich and Famous hosted by Robin Leach. Those who watched the show remember the infamous intro. Between Leach's annoying, nasal squawks, a more radio ready voice croons "Your host is Robin Leach, who circles the world to bring you the stories people will never stop talking about." Imagine the arrogance it took to create such a tagline, spoken against the backdrop of cheesy aspirational orchestral muzak and shots of tacky McMansions, Rolls Royces, and polo tournaments. The content of the series was a vacuous parade of soon-to-be has been celebrities, tours of their metastasized homes, and mini-documentaries of their extravagant purchasing habits. The premise was that their lives would never get any worse and their obscene wealth would continue into perpetuity. The series did not age well, and I suspect future historians will show it to college students who will laugh to disguise their abject horror at their forefather's and foremother's superficiality, materialism, and outright denial of the inevitable deindustrial future.
If those college students were to ask me as a centenarian if the people who used to watch Lifestyles of the Rich and Famous were happy, I would answer a definitive NO and add that the people creating and starring on the show were equally unhappy. I would point out another piece of media, this one closer to their era, in the form of The Greatest Showman, a bizarre movie musical biopic loosely based upon the life and times of American huckster P.T. Barnum. The overly-autotuned music and themes of The Greatest Showman revolve around grandiose notions of limitlessness and its personal counterpart, walloping egomania. The P.T. Barnum character is introduced to us as a child of modest means in puppy love with his neighborhood contemporary, Charity Hallett. Charity is from a rich family, and the title track of the musical speaks to the nuclear family they will build along with a gigantic, extremely McMansion-ish house and the limitlessness of their greatness as adults. Another key song in the film is Never Enough, sung by a highly fictionalized Jenny Lind, who does her best to seduce P.T. Barnum away from his plainer wife. Side characters Phillip and Anne, part of P.T. Barnum's entourage, put on display the class tensions so obviously harped upon by the film in tiresome repetition. The themes at work in The Greatest Showman are envy in the form of class warfare and the conspicuous consumption necessary to achieve American Dream: the idea that each one of us can and must be the very best and risk it all to achieve unrealistic and lofty goals.
I would then point the college students (yeah I'm done with them yet) to the 2020 TikTok hit Heather, where a young man says "kinda wish she were dead" when the male object of his affections is enchanted by a young woman named Heather. Heather is the high school version of resignation and disingenuous humility that is the aftermath of envy. The envious one slinks back to his empire of warm, comforting hatred, crafted by years of focused bitterness.
The Sycophant
Envy not only eats our material earnings, it devours and hollows us from the inside. Often, envy will roost in the psyche masquerading as humility. Such was the case of Yolanda Saldívar, a nurse who befriended rising Tejano pop star Selena Quintanilla-Pérez by shoehorning her way into the family's circle by becoming president of Selena's burgeoning fan club. Saldívar was caught embezzling and fatally shot Selena when gently confronted by the younger woman. Saldívar is currently serving her prison sentence for murder and will be eligible for parole in 2025. Saldívar's envy was of one of the classic types so common nowadays, the kind that is a demented sort of love for the envied person, who "has it all" in comparison to the envier. The celebrity worshipper loses their own identity in the process of envying the celebrity, and quickly falls into a state of hating the celebrity, often enough to murder them. Of course murdering the subject of one's envy makes matters worse: the victim is canonized as a saint.
The Opposite of Envy: Rejection
The other side of envy's imbalance is Rejection. Envy is exhausting and hollowing, and one predictable reaction to it is to swing to a polar opposite of envy to a state of passionate disdain. Our much-belabored celebrities are useful subjects with which to demonstrate this phenomenon, because they are quickly going from a universally loved to universally hated status as we speak, in real time. Pedogate is a form of arrogant rejection of that envy. Believing that all celebrities are complicit in Satanic cabals who drink infant blood and eat feces is a way of replacing envy with equally toxic assumptions that the once-envied person is hideously inferior to oneself. It doesn't matter that such vile accusations cannot be proven; all that is needed is for the emptiness of envy to be replenished by junk beliefs in the evilness of the once-beloved celebrity. On top of this is the frenetic insistence that one's own life record is blameless and innocent because one has at least not engaged in Satanic baby sacrifice. In essence, there is a refusal to see the good in another person because that would require honestly dealing with one's own inferiority complex, whereas envy is a poisoned form of love that cloaks hatred in pining for the unattainable perfection of the envied Other.
Admiration: The Happy Medium
In between the two extremes of Envy and Rejection lies Admiration, a healthy state that says "You do you, I'll do me, and what makes us different makes us complementary, not competitors. This sort of acceptance leaves room for one's own faults so they can be worked on instead of dissonantly projected on to someone else. By standing back and admiring someone without wishing we could be them, we shed the Piscean idea that we must all fit the same mold or climb a pre-ordained pyramid in a dog eat dog, winner takes all series of playoffs. Instead of seeking a state of Borg hive homogeny and secretly adopting the Highlander's statement that "there can be only one", we accept that everyone should be free to do their own thing. This includes not shooting someone out of jealousy or rounding up the elites into concentration camps because one believes their entire class of people engages in Satanic pedophilia.
Admiration acknowledges that this world is unjust and that some people have opportunities than others, but it does not seek to paper over the differences or unduly celebrate mediocrity. Admiration is about finding the good in someone who differs from you and using that commonality to become friends, and if friendship is not possible, to at least tolerate each other and maintain enough distance where each party can live their own lives. I once said to one of my students, "If you want to be accepted for who you are, you've got to accept your friend for who he is." Energy does not happen in a vacuum and all of what we put out comes back to us. That's why all of us, myself included, need to work on letting go of fixation with other people, recognize what we are best at, and take ourselves to task for our own personal shortcomings, for we live in a big world that is only as small as you want to make it.