Thinking Like A Mage Part 3: Metaphor
Mar. 2nd, 2021 11:02 amThinking Like a Mage series:
https://kimberlysteele.dreamwidth.org/tag/thinking+like+a+mage
In the dream I am in Chicago, the city where I was born. I am trying to wind my way home through a sea of concrete and steel. I have one imperative: to get home. The sun is setting in the dream. It's almost never morning or midday. The horizon glows like hot coals being snuffed by the ragged petticoats of approaching night. The feeling this inspires is terror. Chicago was never a friendly place for me. Though both my parents grew up there in the 40s and 50s, by the time I came of age, the criminal element was enough to inspire awe in coddled suburbanites like myself. Nevertheless, Chicago always had the cool factor and its subsequent allure. There is a je ne sai quoi about the place; a beautiful hostility. In my dream, Chicago is the danger presented by the madness of other humans forced to live cheek to jowl. I am often forced to cross dangerous intersections on foot, waiting for brief traffic light signals, or stepping carefully through railroad junkyards, navigating piles of discarded infrastructure. Lake Michigan often figures prominently in the dreams, the edge of which is a flooded road. I drive my car through hip deep water, worried about stalling out.
The Journey of a Trillion Steps
Dreams are personal but not unique. As far as I can tell, Chicago represents the cycle of lives that I dwell in, along with everyone else. We all are part of this age of cheap petroleum, which is as far from the era of natural, easy communion with spirits and gods as the human race is ever going to get. We live in an age of atheists, many of whom who are still faux-faithful and preoccupied by nature-hating religions co-opted by greed. This greed is accompanied by disregard and haughty disdain for the unseen worlds with which religion is supposed to better acquaint us. We live in an age of rampant overpopulation, and as a result we have blotted out every influence upon this world except our own material one. Driven to mass psychosis, we anxiously await punishment for our own hideous wickedness in the form of an Apocalypse that (thankfully) never arrives.
The age in which we live is Chicago on steroids. I am but a cog in the machine, hence the dreams. I long to be home with my Creator, and like all people, animals, and plants born into my age, I travel a long and dangerous road on my way back home.
Sometimes I dream common dreams like the one about the multi-storied Mall, or the creepy School. These are also shared metaphor dreams that speak of the monkey's-paw trap of the meat plane and commercialism. They represent the long, hard educational processes of the soul: how to play nice with others, how to build a mental sheath.
Understanding French Films
Outside the world of dreams, you can get your fill of metaphors simply by looking up a French film that stars the great actress Isabelle Huppert. I kid, but what I am saying is that if you can glean the underlying message of an art film to the point where you can be satisfied by the messages it is trying to communicate, congratulations, you've just mastered a set of metaphors. I am from the Midwest, and what that means is that my tribe doesn't wear its heart on its sleeve. Midwesterners practice a form of extreme Nice that masks a pulsing cauldron of emotion at any given time. What is said is only half as important as what is not said.
In life, knowing when to keep one's mouth shut is a priceless skill -- the art of slamming limits down around one's speech is potent protection. Understanding metaphor is the key to understanding the astral plane. To understand metaphors takes great subtlety and the ability to discriminate between what is the metaphor and what is not the metaphor. There isn't much that is subtle about the material plane but you have to learn subtlety in order to successfully and happily navigate it.
Here's a goofy question for you: If your life was an art film, what would be the underlying messages? If our era was an art film, what would it be trying to say? Personally, I think our era would be a dark comedy about a spoiled child who is given too many toys and throws escalating tantrums when Mommy and Daddy fall on hard times and can no longer afford to buy her nice things.
Everyday Metaphors
At least six times a day, I kneel in seiza to serve my cat a thin stream of water into a bowl. She could drink water out of the bowl like a normal cat, but I serve it to her in a special way to communicate to her, the spirits, and the gods that I love her. This seated position has become a metaphor for my dedication to cats in general, but especially for my passion for my own cat.
Nearly every day, I get into my car and travel to and from work. This is an act of bad faith -- I don't like driving and never have -- and has become symbolic of all the things I do that are against my own will yet feel trapped into doing.
The black and white keys of my piano represent a highly flawed system of music theory (double sharps and unnecessary time signatures, anyone?) that is nevertheless magnificent and the soul of Western music.
Metaphor calls us to pay attention, to suss out the meaning of our lives, and to understand the limits we must work within in order to return to the forces that made us.